![]() Édouard Leon Cortès is widely known for his Impressionistic renderings of Parisian promenades and rustic French hamlets. ![]() Today, Cortès continues to be lauded as one of the great Impressionist painters of the Belle Époque, and collectors increasingly seek his unmistakable work. ![]() In 1901, he began painting scenes of Paris, and he went on to exhibit in the great venues of Paris and later in America and Canada, earning great admiration from his peers, patrons and critics. Cortès exhibited his first work in 1899 at the Société des Artistes Française in Paris where he was met with excellent reviews. Maximilien Luce, Camille Pissarro and Lucien Pissarro, among other celebrities of the Impressionist period, were personal friends of the family, and the young Cortès flourished in this rich artistic environment, though he developed a remarkably independent style. The young artist was greatly influenced by his father and other famous artists who flocked to the picturesque town of Langly where Cortès was born. Raised in a prolific artistic environment, Cortès was an avid student of both his father, French painter Antonio Cortès and his older brother, Andre. Though he painted the same streets time and time again, each work is unique in its narrative, perspective and atmosphere. Dubbed the "Parisian Poet of Painting," Cortès possessed the uncanny ability to portray the very essence of his beloved city through the passing seasons and years. His paintings express the romance and energy of a bygone Paris, and the fashionable boulevards of La Belle Époque have forever been immortalized in his oeuvre. ![]() Cortès perfectly evokes the vitality of this distinctively Parisian thoroughfare at dusk], with streets awash in the purplish haze of the evening sun.Ĭortès devoted his career to bringing the spectacle de la rue to life on canvas. The subject of this oil is the legendary Arc de Triomphe, one of Paris' most recognizable landmarks. , featuring works by fine artists such as Julie Bell.About the Item French artist Edouard Léon Cortès is renowned for his canvases that capture the grand boulevards and soaring arcades of Paris. The gallery is working on the catalogue raisonné research projects for Daniel Ridgway Knight, Julien Dupré, Emile Munier, and Antoine Blanchard.Īlso located on 5 57th St., in Manhattan, is Rehs Contemporary Galleries, Inc. Rehs Galleries, along with its principals, is regarded among the world’s top dealers of 19th and early 20th-century European paintings. At age 16, he made his debut at the Paris Salon with Le Labour, which borrows from realist and naturalist painters, as well as his father and his older brother André, best known as a skilled painter of horses. 6, 1882, in Lagny-sur-Marne, France, some 20 miles east of Paris, into a family of artists, including his father, Antonio Cortés, a painter for the Spanish Royal Court, Cortès began training as a boy. In April, Place de la Republique en Soir (circa 1905), unseen for 114 years, found its way to Rehs Galleries, Inc., in pristine condition, as the most rare Cortès painting on the market, at the time.īorn Aug. Some 500 works by Cortès have passed through Rehs’ hands over the years in his family business, selling more than 75 paintings by the artist over the the last two years alone. “We sent an email to one of our important collectors and they were sold!" “We did not even have an opportunity to exhibit the works,” said Rehs. When the American buyer, one of the elite gallery’s most revered (and confidential) clients, received the paintings, he proclaimed: “They’re perfect.” All they needed was a light cleaning and new frames." “Also, knowing that they have not been touched since they were painted, usually ensures that their condition is as close to perfect as possible. “You never know what you will find when you open up an email, and to find these fresh-to-the-market works is an art dealer's dream,” Rehs, director of Rehs Galleries, recalled. By 1957, Cortès began sending paintings to Johnson regularly, including Moulin Rouge and Avenue de l’Opera. 20, 1956, Johnson offered the artist a solo show, which Cortès declined amid a spike in demand for his work. Johnson, of Johnson Galleries, traveled to France and met with Cortès.
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